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In the second half of the film, the plot has to find a resolution, taking the film to the full three hours.There should be five to eight songs to mark nodes in the narrative, such as meeting, falling in love, union, separation and so on.It’s not just the romantic melodramas, the romcoms, the romantic action films…The typical story and structure of a Bollywood romance is that a beautiful man and woman meet, take some time to fall in love, then an unexpected crisis brings us to the interval.The songs of sorrow (‘dard bhare geet’) produce longing that was celebrated in Indian aesthetic theory as ‘vipralambha shringara’ – love in separation. It is no coincidence that Shah Rukh Khan, the biggest romantic hero of the last 20 years, weeps beautifully and often.For academics, the term Bollywood is limited to describing the mainstream Hindi film from the mid-1990s, to encompass changes in style and media contexts.Their dramatisation in the film shows Chopra’s skill with film and music, perhaps the finest example being ‘Tere Liye’/‘For You’, about being willing to sacrifice for love, and ‘Dekh Lo’/‘Look’, another song about how love can overcome difficulties.
When Shekhar (Arvind Swamy), from an orthodox Hindu family, and Shaila Banu (Manisha Koirala), a Muslim, fall in love, they face hostility from both families.
This twist turns the seemingly transgressive story into a very conventional one, that of love developing after marriage rather than before.
In Veer-Zaara, one of a handful of Indian-Pakistani romances, Squadron Leader Veer Pratap Singh (Shah Rukh Khan) falls in love with Pakistani Zaara Hayat Khan (Preity Zinta), and they travel around Punjab, but she returns home to marry her fiancé.
Standing in a wet, grey Trafalgar Square, feeding birds while dreaming of the yellow mustard fields of Punjab, it is his views on love that change the most during the film.
Originally made in Tamil, Mani Ratnam’s Bombay is set against the backdrop of the December 1992/January 1993 Hindu-Muslim riots in the city that followed the demolition of the Babri Masjid, a mosque in north India that some contested was built on a destroyed temple.
This is the story of a half Italian, the wonderfully named Sameer Rossellini (Salman Khan), who comes to a lavish palace in India where he falls in love with his teacher’s daughter Nandini (Aishwarya Rai).